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不跑調的唱歌技巧 Tips of NOT singing out of tune

想好似歌手一樣唱歌唱得咁動聽? 或者想有一技之長? 唱歌技巧又有哪些?Sing and You教您快速學唱歌,一對一體驗唱歌教學。發聲練聲曲可以用各個元音或混合元音或子元音混合音,也可以用音階的音名1234567等等來練唱,也可以在練聲曲上安排歌詞來練習叫帶詞練習。

  • “哼鳴” (Humming) 的基本聲樂練習一般在開始練聲時,先練練“M”是有益的,因為發這個音容易達到高位置和靠前、明亮、集中的效果。練習哼鳴時首先上下唇自然地閉上,口腔內部要打開,好像閉口打哈欠的感覺,感到聲音向高位、額竇、鼻竇處擴展,但切勿把聲音堵塞在鼻腔裡,否則會發出鼻音。

  • 元音的練習除進行哼鳴練習外,更多地是進行元音的練習,如a,i,o,u,e等單元音練習,也可用混合元音練習如ma、me、mi、mo、mu等等。

  • 連音練習人們常說:“不會連貫就不會歌唱。” 唱歌聲音的主要表現力就在於聲音的連貫優美,只有連貫的聲音才能唱出動人的旋律線來。為了使聲音有更多的連貫性,可以將練習的音域相對拉寬些,練習也可以隨之難度更大些。

  • 頓音練習頓音唱法又稱為斷音唱法。要求唱得清晰,短促,靈活,富有彈性,集中感強。練習時要注意一字一音的靈活性和一字一音的連貫性。

  • 連音和頓音結合的練習在基本掌握了連音和頓音的唱歌技巧後,可以加連音​​、頓音結合在一起的練習,這樣有利於歌唱狀態的統一,頓音好像是一個“點”,連音像是一條“線”,這樣以點帶線,便聲音的位置統一,並保持氣息均勻流暢。

  • 連音和頓音結合的練習在基本掌握了連音和頓音唱法的基礎上,可以加連音​​、頓音結合在一起的練習,這樣有利於歌唱狀態的統一,頓音好像是一個“點”,連音像是一條“線”,這樣以點帶線,便聲音的位置統一,並保持氣息均勻流暢。

  • 保持共鳴位置不變的練習在“哼鳴”練習中我們已經講了找共鳴位置最好的辦法就是體會“哼鳴”感覺,如果這個共鳴焦點找准了,那麼其它所有的音都應該向這個哼鳴位置靠攏,這樣才能達到歌唱的高位置,使聲音上下統一。

  • 聲音靈活性的練習這種練習主要是為了適應歌曲演唱中快速、流動的要求,以達到更積極的身體、喉嚨、氣息的配合。

  • 結合字聲練習(帶詞練習) 要求根據詞意富有想像,有意境,有畫面,語氣有表現,聲音有樂感,有感情地去唱。力求做到字準腔圓,以情帶聲,聲情並茂,慢慢地向歌唱歌曲作品過渡。

What are the singing techniques? How to sing better? Are there any singing tips? Sing and You can teach how to learn singing quickly by providing one to one singing class experience. Vocal training can use every vowel, mixed vowels or mixed consonants. We can also use scales 1 2 3 4 5 6 7 etc to have vocal training. Apart from the scales, we can write lyrics of the song to have vocal exercise.

*Before starting the basic vocal training “Humming”, it would be better to sing “M” first. Since this sound can easily reach the highest place and have bright and concentrated effects. When we practice “Humming”, our lips should close naturally, but the inner part of our mouth should be opened and looks like closed yawn. We can feel that our nose and sinus expand. However, we must not let the sound block inside the nasal cavity, otherwise, we will have a nasal vowel.

*Besides “Humming” practice, We can have vowel practice, for example, a, i, o, u, e. We can also use mixed vowel such as ma, me, mi, mo, mu etc.

*People always said "If you do not know how to legato, you do not know how to sing." The major performance of singing is the beauty of legato. Only the legato of sound can sing the beauty of the rhythm. In order to increase the legato of sound, we can extend the vocal range. The difficulties of practice will be enhanced when we do so.

*Staccato requires to sing it clear, short, flexible, elastic and concentrated. When we practice, we need to be aware of the flexibility of every word and sound, and the legato between every word and sound.

*After understanding the basic singing techniques of legato and staccato, we can combine legato and staccato to practice. This is beneficial for standardizing our singing. Staccato seems like a point, while legato seems like a line. If the point links to the line, the voice will be standardized and we are able to breathe smoothly.

*Practicing “Humming” can help to find the resonance. If you find the correct resonance, you can use “Humming” to sing other sounds.

*We practice to sing flexibly in order to adapt to different tempos of different songs. Through practicing, we can train up the coordination of our body, throat and breath effectively.

*We can imagine the scenes and pictures of the song when we study the lyrics. Our voice has the emotions and the beauty of the music if we are able to understand the song. We also need to sing every words accurately so as to project the song fully to the audience during the performance.

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